Meet Colette Clark, historical cozy mystery author

Colette Clark, author

Colette Clark started her literary career as a legal research librarian-isn’t that perfect for writing historical crime/mysteries? She loves crime shows, crossword puzzles and traveling. A true creative, she works on art quilts, drawing and sampling the weird cocktails on the menu. Colette writes the Penelope Banks Murder Mysteries, and you can follow her on BookBub, Facebook, Amazon, and Goodreads.

Let’s find out more about Colette’s books, I think you’re going to love her main character, Penelope Banks, background!

 What made you decide to write a Historical Cozy?
I was a history major in college and have always been interested in the subject. As a reference librarian for my day job, it makes it easy to find resources and research. Since mysteries are my favorite genre to read, it just made sense to combine the two. In fact, I’ve begun including portions of my research as author’s notes in the back of my books.

Tell us what time frame your stories are in and what setting or world?
I picked the 1920s New York (though next year, my protagonist will do a little world traveling) since it’s such a fascinating period of change, especially for women. I know most mysteries of this period take place in the UK, but I’m in love with New York and think that era is particularly exciting for that location, what with Prohibition, the mob, jazz, flappers, the Harlem Renaissance, etc. I also enjoy witnessing the transition through my protagonist’s eyes. When she was a child, horse-drawn vehicles were still the norm and electricity was still a new-fangled thing. Now, cars are taking over and electricity is the norm in a lot of areas. She’s very much a modern woman.

 Who is your protagonist? Tell us a bit about them and why they were chosen.
Her name is Penelope Banks. She’s a former wealthy socialite who was cut off and spent the three years prior to the start of my series gambling at cards in speakeasies and clubs for extra money. I wanted her to be exposed to and familiar with the various inhabitants of New York, not just the wealthy and privileged set of her past, but people of different backgrounds, ethnicities, socio-economic status, races, “proclivities,” careers, and yes, the criminal element as well. For the most part, they all play a role in each book. However, in her new occupation as a private investigator, she is still learning as she goes. For example, she eventually learns to use a gun, drive a car (there’s a fun bit in one of my books about being a New Yorker and never having learned to drive a car–which is still a thing today), and educating herself about local and world politics. Think Miss Fisher, before she became the great and worldly Miss Fisher.

What sets your mysteries apart from other cozies?
Other than taking place in New York, I really like to incorporate actual history into my stories. For example, the fight over extending Park Avenue and the reasons behind it, the Asian Exclusion Act, the Black and Tan clubs of Greenwich Village, the true history of specific cocktails and slang words. Sometimes they play a major role in the story. Sometimes they are little Easter eggs, like law students off-handedly discussing the Scopes Trial (from the play, Inherit the Wind) the way we might debate Roe vs. Wade today. I still like to keep things cozy, but I can’t help inserting real and sometimes controversial history into each of my books.

 How much research do you do to create your story, and how much do you include in your books?
Quite a bit! Thank goodness for the internet, but I also take full advantage of being in the city where my stories take place. The Brooklyn Public Library is my second home. I’ve also learned quite a bit from the various tours the city offers, where I learn so many weird and wonderful facts. A Murder in Washington Square came about because of one of these tours, in fact. QUITE the interesting history there! I found the most ridiculous quote from F. Scott Fitzgerald that lead to A Murder in the Gardens. I’ve even visited a few authentic speakeasies–strictly for research purposes, of course. 😉 But seriously, research is one of my favorite parts of writing these books.

 Do you feel the crimes committed in historical cozy are very different from a contemporary cozy?
Not really. Anyone who has ever traveled soon realizes that at our essence, humans are more alike than we are different. Time hasn’t changed that, and motives like jealousy, greed, anger, etc. remain the same. The only difference is laws and social norms that made means and opportunity easier or more difficult. Guns and dangerous substances weren’t quite as regulated back then. It was also easier to disappear in 1920s before Social Security came about, and when many people’s only record of birth was a name in the family Bible (like my own grandmother!). 

Victoria LK Williams


Kathleen Kalb, Historical Cozy Mystery Author

Kathleen has exciting news; her book, The Thanksgiving Ragamuffin, has been nominated for a 2022 Derringer Award for Short story from the Short Mystery Fiction Society. Congratulations!

This author didn’t start her career writing historical fiction. She started on the radio and in the newsroom. She is a weekend morning anchor at 1010 WINS, New York’s top all-news station. She lives with her family and cat in Connecticut. She also writes a blog, that you can access from her website.

What made you decide to write a Historical Cozy?
Well…I’ve been a history buff and a mystery fan since I was able to read, so the idea of putting the two together was just natural. Writing cozy was also natural; I’m a New York City radio news anchor and I get more than enough hard-boiled stuff at the office! So all of that was there. But honestly, Ella Shane and her world just grew around me as I was walking through Washington Square on my way to work. Many of the 19th century buildings are still there, and I found myself thinking about who would live there and what adventures they would have.

Tell us what time frame your stories are in and what setting or world?
The Ella Shane series is set in the Washington Square neighborhood of New York City in 1899-1900. It’s an artistic but respectable enclave, not all that far away from either the older Fifth Avenue mansions or the poorer immigrant neighborhoods.

Who is your protagonist? Tell us a bit about them and why they were chosen.
Ella Shane, born Ellen O’Shaughnessy, to an Irish father and Jewish mother, is a Lower East Side orphan who found fame and fortune as an opera singer specializing in “trouser roles,” heroic male parts sung by women. I got the trouser role idea first; I loved the idea of a woman who can duel and fight like a man, who challenges the limits of her time, and who’s also a bit of a star. But I didn’t want to spend time with a diva, and I doubted any readers would, either. She had to be real. So she became an orphan girl who’s survived deprivation and prejudice and made good thanks to her talent. I like to describe Ella as: part Anne of Green Gables, part Beverly Sills, part Errol Flynn, and all her own woman.

What sets your mysteries apart from other cozies?
For starters, Ella – the Diva Who Duels — is unique. As far as I know, while there are other mysteries set in the opera world, none have main characters who play trouser roles – or handle their own swordplay! She also stands out as a main character who’s from a mixed religious background (very unusual at the time) who practices the faiths of both of her parents. And the diversity of the cast in general is unusual for a 19th century cozy. Ella’s cousin and best friend Tommy Hurley is a boxing champ who’s “not the marrying kind,” i.e. as out and proud as it’s possible to be in 1899. The surrounding cast includes working women, working mothers, and people of every ethnicity that you’d find in New York in 1899. In the second book, A FATAL FIRST NIGHT, there’s even a key character who is Black and passing as white. And they’re all just who they are; this isn’t about checking boxes, it’s about telling a good story with a wide variety of characters.

How much research do you do to create your story, and how much do you include in your books?
I think I’ve been researching these books since the elementary school library! The Victorian Era is one of my favorite historical periods (the Tudor Courts are the other) and I just love immersing myself in the time, the style, and everything involved in just being alive then. A lot of it does make it into the books – I hope not TOO much! Mostly, it’s about giving readers a strong sense of the place and period. So you’ll know what my characters are wearing, and how it feels to move in those clothes, for example. Much of the period detail becomes key plot points, too, of course. In A FATAL OVERTURE, the characters are hoping to avoid headlines about their murder case, so they’re very grateful to see a different scandal on the front page. I had to track down what would have been the top news in February 1900 to make that one work!

Do you feel the crimes committed in historical cozy are very different from a contemporary cozy?
Absolutely. While the handling of the crime is the same (no blood and guts, discreet descriptions of forensic evidence, etc.) as it would be in a contemporary, there are a lot of ways to kill people or solve a murder that are just off the table. No DNA, limited forensics. No information the main characters couldn’t get through traditional legwork. That’s what makes it so fun. Just as Inspector Poirot has to solve his cases with the “little gray cells,” we historical cozy writers have to set up ours with them! I admit, though, that I’ve given myself a little jump on this one: the Duke, Ella’s beau, trained as a barrister and has some forensic expertise – 1890s forensic expertise. So he brings a few twists to the table…but he still can’t whip out a DNA report. Which is as it should be.

A Final thought from Kathleen…

The best thing about writing Historical Cozies, for me, is being able to go back in time to this wonderful place and spend time with a group of people I love…and put them through some fun adventures!

You can follow Kathleen on Facebook, Goodreads, Amazon or visit her Website to find out more from her.

I hope you enjoyed hearing from Kathleen. I have more Historical Cozy Authors to share!

Victoria LK Williams

My Favorite Part of Writing…

I love to plot!

The possibilities are endless, the characters new and the settings fresh. This is the part where my imagination takes flight, and I let it go, not trying to make sense of the ideas, just letting them flow. There is plenty of time later to say “no, that is silly” or “she would never do that” or “no way would they go there”.

I created this image from the AI program

This is the part where I make new friends and find out all I can about them. I write character sheets with details I will probably never use. I visualize what they look like, use pictures of actors or faces created by an AI site, think about how they will sound and talk. What habits do they have? Are they going to be cast as hero or villain?

I research locations (google is great for that!) to create my story world. Usually I create a town that is not real, but very similar to a real town. I can add what I want then, putting parks, lakes, highways and downtown where it best suits my story.

Since I write cozy mysteries, I have to come up with a murder or crime. And that means a victim, cause of death, motive, suspects, red herrings, plot twists and a sleuth. And my sleuths all have four legged side kicks with tons of personality.

Gypsy from the Citrus Beach Mystery Series

Part of a cozy mystery is also about the side characters. And in a series, there are many that return over and over in each book. These characters need to be thought about too. There has to be a reason for every person placed on the page, good or bad.

My sleuth has to be someone relatable with connections to the location, characters and have some reason to be involved with the investigation. Otherwise, wouldn’t you just leave it for the authorities?

Speaking of the authorities, the sleuth must either work with or around them, but there has to be a way to get real information about the crime, so it’s best to plan a connection that makes sense.

How do I do all this? There are several steps to my method. I’ve tried different ways, but always seem to come back to these three…

Mind-map sample

First, I mind map; just throw ideas on the paper and see where and if they connect. This is also a good way to see how the characters connect to each other and the crime.

plotting with Plottr for a Beach House Mystery

Then I do a more step-by-step plot. I lay out a timeline, determine what action is going to be in each chapter, what characters are going to appear and why, what time of day or day of the week it is, where the action takes place… you get the picture.

Using Scrivener to write the story

Finally, I write, using my outline as a guide. But more often than not, my characters will take over at this point, and start changing things around or adding their own opinions of what should be happening. I kid you not. Sometimes I’ll look at a chapter and wonder where it came from, it certainty wasn’t in my outline!

And somehow, it all comes together, ready for the next phases; editing and publishing!

Victoria LK Williams

Meet Erin Scoggins

I absolutely love how Erin discribes the genre she writes in! “I write contemporary Southern cozies. Think Steel Magnolias with a body count.” If that doesn’t make you want to pick up one of her Wedding Crasher books, then you need to come to the south for a while and absorb some southern atmospher. Erin’s ebooks are available in Kindle Unlimited and her paperback books are available wide. You can follow Erin on Instagram, Facebook, Goodreads and Bookbub.

Book 1 in the Wedding Crasher series

Where is your favorite vacation spot? Beach, Resort, or Poolside?
The beach! I’m lucky enough to live in North Carolina, and we have some of the best beaches around. Park me on the sand in the Outer Banks with my hunky hubby for a weekend, and I’ll be a happy woman.

Everyone takes a tote bag with them when they head out for a day at the beach. What’s in yours?
I always have sunscreen, trail mix, and at least two books. There’s nothing more heartbreaking than running out of things to read before your lounge time is up.

What makes your books perfect for a beach read? The setting, the story, or the characters?
When I’m on vacation, I want books that will help me escape. That means they’ve got to make me laugh, and they have to transport me somewhere delightful.

My Wedding Crashers series is set in the fictional town of Flat Falls, North Carolina. It’s a quirky beach town filled with characters you’d like to have as friends. It has all the good stuff we like about vacation: food, family, and adventure. And who cares about all those pesky dead bodies when you get to attend a wedding on a pirate ship?

What time of day do you usually write?
I’ve got three kids who always ask for snacks as soon as I sit down to write. And then there’s the hundred-pound dog who thinks keyboard time means snuggle time, so he crawls under my feet like an ottoman.

I’d like to say I get up and write every morning at seven and write happily until noon. In the real world? I’ve written in the carpool line, hiding in the bathroom, and on the back of a takeout menu while I was waiting in line to pick up food that I didn’t have time to cook. Stories come when they’re ready, and I just have to do the best I can to catch them.

Book 2

What does writing success mean to you?
I’m on cloud nine when I hear from a reader that I’ve helped them escape from their struggles for a few hours. When somebody invites me into their life and says my books have made them laugh and brought them joy, that’s success.

Where do you get your inspiration?
I grew up shucking corn and eating boiled peanuts with my grandparents in rural North Carolina. There is nothing better for a Southern writer’s inspiration than visiting a Piggly Wiggly in the sticks on any given Sunday. The rural South is full of wonderful, hilarious people who love to tell a story, and it’s easy to find inspiration if I just slow down long enough to pay attention.

What are the key themes and messages in your books?
I love to write stories about characters who think they’re hopeless. Maybe they’ve lost a job or had a heartbreak, or maybe they’re at a crossroads and just feel lost.

The best stories are about the beautiful ways we put ourselves back together again after everything falls apart. They’re about redemption, joy, and figuring out where you belong.

Pre Order Book 3 now, releases August 9, 2021

Erin’s answer to when she writes sounds like so many authors I know, myself included! And every writer knows, you have to get the words down, no matter what the obsticles. I’m ready to head to the pool, but I’ll be downloading one of Erin’s books before I go. It looks like weddings can be funny – and deadly!

Victoria LK Williams

Meet r.e.joyce

I hope this post finds you all well and taking care of each other and just as importantly-taking care of yourself. This week we see signs of re-awakening as some restrictions are beginning to be relaxed. It feels like spring is arriving after a long hard winter.  But remember to be cautious, and take it a bit at a time. And that will still give you plenty of time to read. Which brings us to our guest author…

.jejoyce fbpick    r. e. joyce writes Epic Fantasy and all books can be found through Draft2Digital worldwide

Stories by r.e.joyce
I write to express the joys and adventures I have found in this world.  Most come from the grace of being chosen to guide two beautiful souls through the adventure of growing up.  It is my children, Stephanie and Bill, who make this life worth living.  The grandbabies are a marvelous recreation of the joys I experienced without the diaper changes – such a fabulous gift!  Do you want to have a taste of the worlds my mind creates?  Come and Join in the fun:

Why Write?
They say that reading fosters the urge to write and experience chooses the genre.

As to the first, I can attest.  My world in the 1970s and 1980s consisted of work-centered travel.  My last job in New York was a one-hour-forty-minute commute into the Big Apple if all connections were properly made.  It gave me time to read and I ordered the Franklin Library Book of the Month Club Classics for the train ride, promising to read each one before I picked up a dime store novel.  Month after month I would struggle through Thomas Mann’s The Magic Mountain or Homer’s Iliad awaiting the day I could call it read and pick up Stephen R. Donaldson, Ursula K. LeGuin, David Eddings, Terry Brooks and of course C.S. Lewis and JRR Tolkien.  It was in the fantasy worlds of these great writers that I found a place for my mind to take flight.  For four-and-one-half years I clickety-clacked down the tracks and let these fantastic worlds open within my mind allowing me to become part of so many epic adventures.
Then the urge took hold.  I could write one of these epic fantasies!  The scolding of my English teachers and the wanton grades they scratched into my report cards could not deter the building desire to put words together and go on my own adventure.   The writing bug bit and I was destined for the torment and elation I never expected in life.  We will get back to the swings of emotion later.  For now, with pen in hand (soon turned to computer keyboard) I used the spare minutes of my life to write—catapulting me into the wonderful world of epic fantasty

The explanation of my life is Grand Poobah-dum.  I have no timeless words of wisdom beyond those that guide my life.  Live to serve and serve until it feels good.  The world will be better for it.

  • I, like Tevye, wish for a little wealth. I promise to pray more if…
  • I, like Joseph, find strength in quiet support of family.
  • I, like Don Quixote, always seek the windmill over the easy path.

It started as an urge and took root in the rich soil of familial love.  The experiential writings made spirituality all the more real for me and touched a life of one or two along the way.  The honing of skills hardened my resolve until I allowed myself to stand before all as I am.  The wayward critics seek to mold me in their image.  I choose the one that is God-given and life affirmed.
I am a story teller and if you have a moment I will share with you worlds that can enchant and even make you dream.  If you need proper grammar I have some teachers I can recommend.  If you want to touch life, I believe I have some ready for you.

Where do you get your inspiration?
There are experiences directly related to my feeble first attempts.  Stephanie came to me with skinned knee and turtle tears, clutching her pink unicorn.  Holding her, I whispered if she would allow me to clean her boo-boo, I would write her a story about a unicorn.
Oh, did I fail to mention that God graced me with two of the most beautiful gifts a man could ask for.  To give this justice, we would need to consider a longer story format.  For now, I will affirm their epic effect on my life.
Stephanie came into the world pink and beautiful and when the nurse placed her in my hands a fear, beyond anything ever imagined came over me.  How could a lumbering old fool like me ever care for such a precious princess?  She seemed to fit within the palm of my hands, and my trembling left others to wonder about my joy.  Nothing can ever exceed the gift I held that day and that I continue to embrace as she explores her own world.
Now Bill, having arrived three years later almost to the day, bounced out and the now trained hands of a father gathered him up, placing my hereditary standard on the boy with the quiet soul.  He has been more than and continues to amaze me with the deep-seated love he shows the world around him.
We will have an epitaph written or imagined at the end of our stay here on earth.  Mine will contain the blessing from God of these two souls.  If nothing else graces the journey of my life, I am fulfilled.

Back to the story…  The boo-boo healed and the little girl grew up and the scratching of a novice writer found its way to the page.

My mission in life:

To write is to place love in the hands of generations to come.
The rest of my day is giving to helping others…

Seven Stars of Midnight                         The Finding


You can connect with r.e. joyce at Vision Management Publishing and find his books at books2read.  

I leave you tonight with r.e.joyce’s beautiful covers to look at and be inspired…

Stolen Moments

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I think everybody has a “to do” list.
Some are short, some are long. A few might even be considered part of a bucket list rather than a to do list, but everybody’s got one. You’ve written it down are in the back of your head. We’re all busy; kids, school, work, writing. And there’s only so many hours in a day to get everything accomplished. Often things on today’s list get pushed to tomorrow, because there just wasn’t enough time.
But every occasionally, you find a stolen moment. A moment with nothing on your agenda, a moment when no one is clamoring for your attention and you can breathe.
So, what do you do with that stolen moment? Do you pull out your list and work on something else?
I think that’s what most people do. But here’s a novel concept; take that stolen moment for yourself.

Grab a cup of coffee and go out and sit in the garden with a book you’ve been longing to read or a blank piece of paper to doodle on. Perhaps you can simply sit back, close your eyes, and do some deep breathing exercises. Not every minute, not every second has to be productive. Sometimes it’s healthier to be inactive.
Once I get over the guilt of having a stolen moment and taking it for myself, I find my mind wanders. I come up with some of the best ideas this way. Things that were in the back of my mind finally work their way forward; getting the attention they need, and yes, deserve
There used to be a time in our society when quiet moments were expected. After a long day’s you work came home, ate dinner, and had a quiet time. It might have been in the company of your family, or maybe sitting by yourself out of the back porch letting your thoughts wander. Personally, I think our minds were more stimulated because of this. We were forced to use our imagination in the days before there was a TV in every room and a phone in every hand. Everything wasn’t programmed for us on the TV or in a game.

Recently I had the opportunity for some stolen moments for myself. My husband was out of town, leaving me on my own with no obligations. It was amazing! The first thing I did? Turn the TV off. It felt weird, the house was too quiet, so I turned onto my old music to listen to. The stress and tension when out the windows.
At first, I just unwound. But then, the quiet moments led to productive thinking moments. A lot of “what-ifs” were tossing around my head about possible story lines. But rather than hurrying up and writing down an outline, I let them develop and nurture inside, without forcing them. By the second day I was ready for an outline. Because I had given the chance for the stories to form  on their own, my outline flowed from my fingers to the keyboard.


Now I’m not saying you should get rid of your husband (because I really did miss him), or family, or leave your job for a week in order to be productive in your writing skills. But, if you let some stolen moments work their magic, you would be surprised at the results.
And here is an original thought: why wait for a stolen moment?
Why not set aside five or ten minutes every day for quiet time? We used to make the kids do it, at least to my house we did. Quiet time was for either book reading, or quiet play. No electronics, no TV. Set aside ten minutes for yourself every day. Develop this habit, and before you begin writing for the day, let your mind wander; almost like you’re exercising your fingers before you sit down to play the piano.

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Not being productive might be the key better production.




Have you ever wanted to get behind the wheel of your car and just drive?

No destination, no agenda, just drive. Would you head north or southeast or west? Would you stay in your own country or would you crossover one of the borders surrounding us? Do you head north to Canada or south to Mexico? Would you stick the city roads or are you the type to try to back roads of our great country?


Some people pass through places, not making connections. Perhaps you’ll take your time; stopping at a small diner and getting to know the people. Asking questions about their lives and finding out what their hopes are for their futures can give you not only insight about them, but ideas for stories.

Maybe you drive straight through, stopping only for necessities, to reach your destination Your answers will tell you a lot about your personality: perhaps you’re a driven person, with a goal and agenda. Or are you someone comfortable meandering through life? Neither one of them is wrong. It’s simply who you are.


For me if I were given an opportunity I would visit the small towns and explore the countryside. It would be a perfect way to find the sights most people won’t find on the cover of a fancy travel magazine. There’s something about driving by a field of cotton or corn feeling in tune with nature, wondering when the crops will be harvested. If I found a park, I’d stop to walk the pathways, find little creeks for skipping stones when the mood takes me, and picking wildflowers as they bloom.


This sounds idealistic, I know, but wouldn’t this be a wonderful way of life? To sit back and enjoy what God’s given us. No timetables, no time clocks, only the ability to enjoy life and help a person or two along the way.

Of course, it’s only a dream. There are too many responsibilities in our lives; bills to pay, children to raise and preparing for the future. We are sometimes too busy putting away for the future that we forget to enjoy the present, and we never really appreciate the past.

So what if we can only wander the back roads of the country on weekends? We can still enjoy our own immediate environment. I would bet right in your own hometown there are small parks you’ve never visited, views you’ve never pulled off to enjoy. If you drive a little way out of town, I’m sure there are places to find that you’ve never even imagined.


My challenge to you? Learn to enjoy what you have around you. Get in the car and take a ride, see what’s around your own town. Or better yet; get on your bike or walk, and find what’s in your own neighborhood.

Think of the possible stories you can create from all these new experiences and locations!



Hi-ho, hi-ho, its off to camp we go!

My bags are packed and I’m running away for the month of April!


Of course this is only in a virtual world. April is the first of the Camp NaNo months and I’m exciting to take part.

The camps are a bit more laid back than NaNoWriMo, with less emphasis on 50,000 words and more on your cabin and new writing friends. This is the time to finish up goals which may not have been completed (guilty!) in November and re-connect with other writers.


I think this is what I love about the camps-the connection! No one understands your misery more than someone also going through the same process. This is the 4th year I’ve opened a cabin up, and I’m thrilled to see old friends return. This year there are  new writers joining us and I’m looking forward to getting to know them as well.

There is a special bond that forms here, one that will never fade. Encouragement is freely given, helpful ideas are tossed around and constructive criticism is offered if asked for and venting is allowed at any hour of the day or night.


So, we authors set our goals and aim for our targeted number of words as we juggle or daily tasks, jobs and family. To those around us; have patience it’s only for a month.

At least until July rolls around!

Do you share?

Do you share?
As an author, do you share with your readers? Do you let them into your world where they can find out about you? Do you have a platform where you let them know what’s going on with your writing life?


If you are blogging– how much of yourself do you let your readers see of yourself? How often do you share: once or twice a week, daily, once a month? Do you freely share or are you just a matter-of-fact type of person only recording your writing progress, not letting your readers know about your personal side?
Whether you realize it or not, as a writer we share with our readers much more than we think. We can’t help it; as we write thousands of words on the pages, some of our personality has to seep through. Our core values refuse to be ignored, no matter how hard we try. Some of them will make their way into one of our characters, be it good or bad. It’s how you connect with your reader. Letting part of “you” onto the pages is what makes your book successful. It’s about finding something that the reader can connect with and imagine themselves in the same position.

There are other ways we connect with our readers: Facebook, Twitter, Instagram, or any of the other many social media outlets are avenues to let our readers get to know us.
Personally, I think it’s important to connect with my readers and let them know what’s going on my life. Make them feel connected to you as if you’re a friend about to sit down, share a soda and talk. I know when I read a blog post from another author, I can relate to what’s going on in their life. It does feel like I am chatting with an old friend.
The term author platform is used so much that it’s almost overused. To me, having a platform simply means I’m connecting with my readers. And how I do that has to be comfortable for me. I must be honest and sincere because I would never put out a fake persona. Sooner or later you’ll slip up and dissolution your reader.

So how much do you share with your readers?

Not much? Well, maybe you should be.

Time to Say Farewell…

This past week I had to say goodbye to an old friend.

The one my son commonly called the toaster. My business was a mere five years old we bought this car, and it lasted for 12 years taking me to and from my customers homes, nursery shopping, and running around town. Sometimes she overflowed with flowers and herbs, giving me a full day’s work and an everlasting supply of different scents. It was a well-known car in town, between the shape and the logo ( a white Scion), and I often heard people saying they had seen me driving around from job to job in my unique car.

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It’s funny how you form an attachment too an animate object. I knew every nook and cranny of my car and the sounds she made, so I realized she was in trouble. And I had to make the decision to let her go, the time was here for her retirement.
After a fond goodbye, I now I have something new, “does happy dance”! It’s bigger and bluer, and I’m hoping it will last me another 12 years.

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As a writer, I look back and I see I’ve given my characters unique cars setting them apart (Megan has an open jeep, Aiden has a cherry red ’65 cutlass, Jake has a red motor scooter), or gave them their own attachments with another item (Megan has a special bracelet, Makenzie wears a lightning rock). It’s easy to transfer your own emotions into your writing, your own likes and dislikes (Megan love chocolate, Mackenzie loves gardens, Paige and Rebecca love cats). Sometimes you might transfer the likes of somebody else into your characters; a comment a good friend may have made about loving a specific brand of handbags suddenly becomes your main character prized possession.
It’s not just inanimate objects we share with our characters, often we bring them in to our favorite place, too. Whether these places are from our past or from our present sometimes or even places we want to go to in the future, they find their way into the story. Some authors are talented enough to create their own places and bring the characters to that imaginary location. But each of those places, just like each of the inanimate objects we so love, means something to us as authors. We may not be aware that with our words we share this love with our characters, and in turn share with our readers.

As a reader, this helps you identify with the characters in the story, creating a bond. As a writer, it is our job to find a way to bond with our readers. So authors, share a little of your personality with your readers. Help them make the connection to you and your books.