Meet C.A. Asbrey

Before we get the the interview, there is something important that must be said; HAPPY MOTHER’S DAY to all the moms out there. This will probably be an unusual one for each of us, but not matter what the circumstances, know that you are loved and we are grateful for everything you do for us.

91913504_2857199287668183_6077577237228421120_n.jpgOur writer today is Christine Asbrey. 

About the Author
Chris Asbrey has lived and worked all over the world in the Police Service, Civil Service, and private industry, working for the safety, legal rights, and security of the public. A life-changing injury meant a change of course into contract law and consumer protection for a department attached to the Home Office.
In that role she produced magazine and newspaper articles based on consumer law and wrote guides for the Consumer Direct Website. She was Media Trained, by The Rank Organization, and acted as a consultant to the BBC’s One Show and Watchdog. She has also been interviewed on BBC radio answering questions on consumer law to the public.
She lives with her husband and two daft cats in the beautiful ancient city of York.

Chris as given us a sample of her writing, which you can find at the end of the post, after the questions. 

In her words…    Hi everyone. My name is Christine Anne Asbrey, and I write historical mysteries under the name of C. A. Asbrey. My books are available in Kindle and paperback all over the world. My first book, The Innocents, was published in April 2018, and was first in series of six books. Five are currently available, and the last in the series is published in July 2020.
The series is about a clever female Pinkerton Detective who is sent to work undercover to get intelligence on the most wanted man in the country, Nat Quinn and his gang, The Innocents. They are so called because they hit only large concerns like the railroads and the banks, never steal from ordinary people, and treat members of the public with courtesy. That said, they can be ruthless, and extremely cunning.
The heroine is a young widow, Abigail MacKay, with a deep interests in the new forensics, and the new scientific method of policing. She is also an expert in disguise. Nat and Abigail are instantly drawn to one another, as two sides of the same coin – both using their wits, science, and skills on different sides of the law. However, if they act on the attraction it could destroy both their lives. That will-they-won’t-they forms the backdrop to other mysteries in the series.

Where do you draw inspiration from?
I first became interested in the female pioneers in law enforcement when I joined the police in Scotland. History has always held a draw and the colorful stories of the older officers piqued my interest, making me look even further back. The very first women in law enforcement had been in France, working for the Sûreté in the early 19th century. They were, however, no more than a network of spies and prostitutes, the most infamous being the notorious ‘Violette’. Now there’s another story which needs to be told!
The first truly professional women in law enforcement worked for the Pinkerton Agency, and they were trained by the first female agent Kate Warne, an ex-actress and an expert in working undercover. Kate Warne was an expert at disguise, adopting roles, and accents. She was said to be daring and able to pass her characters off, even in close quarters. In the only known photograph of her she is dressed as a man. These women were fully-fledged agents, with their skills being held in high regard by Alan Pinkerton who once said, “In my service you will serve your country better than on the field. I have several female operatives. If you agree to come aboard you will go in training with the head of my female detectives, Kate Warne. She has never let me down.”
I started to wonder why one of the female agents couldn’t be a Scottish Immigrant. After all, Alan Pinkerton was one. He came from Glasgow. Being a Scot in another land is something I know well. They do say you should write what you know. My work has taken me all over the world, but working in the USA, and visiting the places where these women worked, deepened my passion for finding out more about how they lived. I also researched the tools and equipment available to them at the time. Connections to police, and Home Office experts, allowed me to research the birth of forensics with people who knew their subject intimately. The topic for ‘The Innocents Mystery Series’ simmered in the background for years, and all the time I was researching more and more deeply into the period. I love the rapid pace of innovation and invention in the 19th century. Nothing pleases me more than finding spy gadgets available at the time which were invented far earlier than most people would think possible. Work and life got in the way of the books being anything more than an idea, until I was suddenly grounded by a serious accident. The enforced leisure time of recuperation focused my mind and the old dream of writing resurfaced. It started as a short story which took on a life of its own when it grew and grew—then grew some more. Eventually, ‘The Innocents Mysteries’ evolved.

Plotter or pantser?
A bit of both. A lot of my mysteries are actually based on genuine historical crimes, but of course I change things up a bit so that lovers of true crime can still enjoy playing along. Some are well known, some less so. The more outrageous the crime seems, the more likely it is to be rooted in reality. That said, I’ll give the characters their head. If they feel like going off-script and doing something a bit mad, I’ll let them. It normally makes for a better story and keeps things fresh. I know everyone does things differently, but the story seems a sterile to me if I over-plan. I generally start with a fair idea of where things are going, but even the murderer can, and has, change as the story forms. I think book three, Innocent Bystander, was the most tightly plotted. That is more of a howdunit than a whodunit. We know who the killer is, we even know the next proposed victim, but we don’t know how he kills. I’m very proud of the scientific research on that one
I do loads of research, and try to make sure everything in the books is either historically possible, or really happened. I hate finding anachronisms in historical books. I have not only researched the forensics and methodologies of the time, but even the makeup used in Abigail’s disguises. I did wonder how all that long Victorian Hair could go under a short wig, but modern cosplay and makeup tutorials online showed me that it can. It’s all down to multiple flat pleats and technique.
All that research can only ever be a backdrop though. I like to try to make my characters vivid and as human as possible. Most of all I like to add humor. I do think one of the sexiest things a man can be is funny, as it means he’s a good listener and quick-witted.

What was your favorite part, and your least favorite part of the writing journey?
Research has to be one of the favorite parts, especially when I discover a wonderful forgotten crime to play with, or spy gadgets invented way earlier than you think. A lot of that stuff goes in my blog. I particularly enjoy the ordinary stuff which is too mundane to be taught. Things like traveling coping a long way with a child in nappies, how did women deal with their periods, or what horrible things did the really poor eat? I love it when a story flows like water, and seems like it’s out there in the universe just waiting to be told. Another thing I really love is the freedom of working when you want. I’m more owl than lark and I’m at my best late at night. I’m terrible in the morning and getting up for a 9am start was as bad as a 4am start for me. I can now fit my body clock.
On the flip side, I hate it when marketing takes me away from that, but it has to be done. There’s no point in writing a book if nobody knows about it. I’m sure that’s something many authors share, but for us all, it’s a big part of our working life as writers. A writer can’t just write. They have to market, network, sell, and promote.

Do you have anything special that you’ll be focusing on this year? 
I’m currently writing a book set in the UK in the 19th century in which young female pharmacist is on the run after being wrongly accused of murder. She is pursued by killers, and a dogged detective who is determined to bring her in. I’ve also started another which is set in 19th century Edinburgh, and which stretches over more than a hundred years, with the solution being a result of modern forensics. I’ve taken bodies into the old gothic Victorian mortuary in Edinburgh, and it’s too good a location not to put in a book.

Can you share a snippet that isn’t in the blurb or excerpt?
From Book 1 The Innocents
“Out of bed?” Nat appeared at the door, the light highlighting his tawny hair. “Looking for something?”
She paused, guilty eyes dropping along with the hand trailing along the shelf. “Yes. Something to read.”
“A book?” his eyes scanned the room, checking to see if anything which could be used as a weapon had gone missing. “You should’ve said.”
“All I can find are a few science books. Whose cabin is this? A doctor’s?”
“The owner was a prospector. Those books are mine.”
Her brows arched in surprise, and she turned and picked one up. “’Carl Friederich Peschel’s Textbook of Physics.’” She continued along the spines. “’Ganot’s Elementary Treatise on Experimental And Applied Physics’, ‘Balfour Stewart, An elementary Treatise On Heat.’”
“So?” Nat’s jaw firmed in challenge. “Have you got anything against a man who wants to improve his mind?”
“Physics? You?”
His brow furrowed. “I’m supposed to believe you’re a Pinkerton and you can’t believe I’m interested in science? I like to learn all kinds of things. Get over it.”
“But you?” She stared at him incredulously. “You’re a common criminal.”
His brows met. “How dare you? There’s nothing common about me. I’m particular about being about as uncommon a criminal as you’ll ever meet. I’ve got a Dickens if you want something simpler, but no women’s stuff. I prefer my heaving bosoms to be tangible.”
“Really?”
“Of course. Who wants imaginary bosoms?”
She huffed in exasperation. “Can we forget about the bosoms?”
His dark eyes twinkled with devilment. “I wish I could but men are kinda made that way.”
“Science books?” Abigail changed the subject. “Are you trying to give up crime?”
“Nope, just trying to be more efficient at it. I’m a modern man. You have to move with the times, you know,” Nat’s cheeks dimpled, “but look who I’m talking to. You’re a veritable pioneer for females. You know how it is. I bet you’ve got all kinds of modern detective tricks. I’m looking forward to seeing those. When do they start? Are you doing it now?”
Abigail sighed. “I’m sorry I asked. Never mind. You have a Dickens? Which one?”

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Links to connect with Chris and her books:
BlogC.A Asbrey – all things obscure and strange in the Victorian period Facebook, Twitter GoodreadsBookbub
The Innocents Mystery Series Group
Link to whole series , Link to latest book – In All Innocence

 

A big thank you to Chris (don’t you just love her covers?) I hope you enjoyed the interview. The concept of using the “real” Pinkertons in a fictional book is very interesting, and Chris’s books are now on my TBR list. (You know, the one that never gets any smaller?)  Once again HAPPY MOTHER’S DAY weekend!!

 

Write What You Know-Right?

Write what you know – right?

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For years I heard that advice; write what you know. And to some extent, it was good advice. After all, if you know the subject, you are going to be more involved in it. You will know the ins and outs and consequently be more passionate. But it’s also very limiting. How many times can you write about the same thing before you start boring your readers?

My advice is to write what you want to write.
Write what you dream about, what excites you.

There’s no excuse for saying, “I don’t know about that subject.”  With today’s vast sources of information, you can find out about things in ways we never could have before, even 10 years ago. You don’t need to haul around a thick, heavy encyclopedia anymore! All you have to do is click a button and ask your computer, Seri, Alexa, or Google, and the answer is spoken to you like magic.

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And the ever-increasing number of videos now available on YouTube is another excellent source of information. Pick a video and let yourself explore far-away-places you would never have thought of going, or had the financial means to do so.

Have a question about something? It’s easy enough to ask; just get on a social media outlet and find someone knowledgeable in the area. If they don’t know they may be able to point you in the right direction.

And even if you want a hands-on experience, travel is so easy nowadays. Hop on a plane, rent a vehicle, take a cruise, or go for a train ride. These are all possible now, and many trips can be made on a short weekend jaunt.

Use your writing as an outlet for learning new things. Learn about a trade you never knew about, learn about a culture you’ve never been exposed to. Discover the native flora and animals that live in the area you want to write about. Find out about an unsolved crime, a fantastic discovery…the list goes on!

But don’t over helm your reader with facts. Most of what you find in your research should stay in your notes, not in the pages of your book. Pick two or three really interesting or unusual fact that relates to your storyline and use only those. Keep strictly to the facts, or embellish them to fit your story, it’s up to you. But do not make things up. Your readers will know, and may even call you out on it.

 

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Knowledge has never been so easily accessible. Which means if your book isn’t filled with points of interest for your readers to grab hold of and keep their attention, then shame on you. Boring books should be a thing of the past! We have so many avenues of information to draw from to make our books enjoyable.

Now, go, find the facts that will help you create a great book, and have fun learning some new things.

Victoria LK Williams

 

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Currently Available in e-reader and print formats

 

 

 

Writing is Hard Work, not a Hobby!

 

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I love to listen to U-tube as I drive. There is some great information out there that not only educates you, but can also amuse and stimulate your thoughts. Most of what I listen to is about the writing craft; from the words on the page to selling those words. Yesterday I ran across not one, but two hilarious videos  about what not to say/ask a writer. I was laughing so hard, the other drivers around me had to think I was nuts.

I agreed with 90% of what the authors said, but 100% on the question “how’s your hobby doing”. It got me thinking…

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Anyone who has sat down and wrote a book will agree that this is not a hobby. It’s darn hard work. Time consuming, energy draining, mind shattering work! So, I thought I’d share with the potential writer (or the helpful person who just doesn’t get it) my process. There are things I’m sure I’ve missed, and this is a broad over-view. Each item on this list has multiply levels and tons of details that need to be taken care of. Every author has their own process, the things that are important to producing their books.

For the new writers-I hope this helps guides you through the process. For the friends and family looking in from the sidelines, I hope this opens your eyes to the reason we spend so much time on each book. And I thank those of you on the sidelines for all your support-we need it to keep going.writing process for me

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Victoria LK Williams

Book Joy

Every reader knows the joy of a new book.

There’s something exciting about spending hours deciding which book to get. It doesn’t matter whether you’re browsing the book catalogs online, wondering the rows of books in the library or sniffing in the clean scent of a fresh book from the bookstore.  Every reader knows that special feeling you get picking out your books.

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When you’ve finally decided and you’re walking home with that new book, there’s an air of anticipation and you want to read right away. Sometimes you may need to put off reading that a new book because of other obligations. But it’s always there in the back of your mind, it’s waiting with a new adventure just for you.

But if one book makes a reader excited, then you’ll be overjoyed to   buy a complete series at one time. It’s like having your birthday and Christmas wrapped up at once- and all the other little holidays thrown in at the same time. When I can buy books in a series, I feel like I want to be shut away from the world for at least a week until I’ve read every one in a row and in order. I rarely buy a series of fiction books in print. Those I buy on the internet; space is an issue, because if I bought every series I liked, I would need to build a new house just to hold my books.

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But when I buy a series of nonfiction reference books, it’s  like I’ve invested in my future. My future as a writer, because these are the books I’m usually buying. And although I may not read them right away, I display them on the bookshelf, in their proper order, waiting for the opportunity to use them for reference. Oh, don’t get me wrong; I will look through each book to see what is  in each chapter, but it doesn’t get quite the attention that a series of fictional books will get. Those I dive right into and become part of the series.

And I must admit as an author seeing your own series ready for purchase-well there’s just no words to explain the sense of awe and pride. Knowing somebody else might buy  your complete set of works or at least what you wrote in that series is mind-boggling. Self-satisfaction doesn’t begin to cover the words.

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If there was a way, I think every writer would like to sit on the shoulders of the reader and gauge their reaction. Do they like your favorite passage, or smile at that little joke you included? Do they hold their breath in anticipation of a climax, do they sign with your ending-content the story ended the way they wanted? If you’re a mystery writer like me, are they following all your clues? Are they catching which ones are red herrings and are they surprised by your ending? Are you getting the right results with each book in your series?

You hope that these questions will come up every time, in every book.

So, thank you to all who have purchased my books; one at a time or in a complete series.

I hope you’ve enjoyed them as much as I’ve enjoyed writing them.

Watching for Inspiration

Sometimes you have to just push the chair back and walk away from the desktop.You can only stare at a screen for so long before your mind goes numb and you’re searching for inspiration.

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Some of the best inspiration that you can get is from watching the people around you. This is especially true at large public locations. I’m lucky to live in South Florida; between the place where the mouse lives and the place where the dolphins swim there’s plenty of attractions to go and watch people. I don’t know what it is about people who are on vacation, but it seems like they’ll do the most amazing things. It might be because they’re letting their inhibitions down, as ifthey have an “I don’t care” attitude. Or maybe it’s because they think no one’s watching: at least no one they know. Young or old, male or female, there’s plenty of inspiration to watch for.

 

I especially like to watch the interaction between people;  what they’re doing while they’re talking. There are so many hand gestures and movements a person makes without even being aware of it and if you incorporate those into your story line you can add a lot of interest.

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Here’s a perfect example…

We were at the place where the mermaids put on a show in the springs  by Tampa. Two little girls very close in age were excited to be able to see the show with the mermaids. They jumped up and down and chattered non-stop. Their parents kept exchanging looks as they tried to quiet them down. Finally it was time for all of us to go in and sit down in the auditorium to watch the mermaid show. The two little girls were overjoyed with excitement and chattered loudly.Their mother tried to quiet them down but to no avail. Rather than getting in the middle of an argument with them, their father simply took each   girl by  hand and led them to their seats.  Instead of letting them sit together, he conveniently put himself and his wife between the two of them. They weren’t able to feed off the excitement of each other and they settled down to enjoy the show.

In that same auditorium over in the corner there were three little girls in the front row leaning over the railing. They were so excited to see the mermaids that they were pushing their noses up against the glass. Instead of being loud and rambunctious like the other girls, these three little girls were in awe of the mermaids. They whispered back and forth to each other and when one of the mermaids swam over and waved at them they were so excited they just didn’t know what to say.  As the mermaid swam away, the giggling and the whispering started. Yet, it was a smile on the adults around the three girls that told the true story. We were getting more enjoyment out of the children’s joy then out of the show itself.

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Children of all ages are great to watch, because they held nothing back. Watching an adult is a little bit harder; you have to really pay attention, without appearing to stare at the interaction between them. It can be something as obvious as to couples fighting with raised hands and loud voices, to another couple so comfortable with themselves that words are needed. They let  their emotions show through actions;   the older man holds the woman’s hand to help her over a rough patch in the sidewalk. To me that action was louder than the arguments of the other couple.

So, when you feel like you’re stumped, or that you need a break, get out of the house and see what’s going on around you. If you can’t do that, flip on the TV and watch the interactions of the characters on the show. Be sure to pay closer attention to the side characters instead of the main characters. Sometimes what you see going on in the background is funnier than the comic one-liners the main characters have.

Feeling inspired? Good, now get back in that chair and start writing!

 

 

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When & Where do you Write?

When & Where do you Write?

 

Write.

The more I read and talk to other writers, the more I realize the answer to these two questions can be as diverse as the writer.

There are no set rules, no hidden formula to a productive writing time. Each author has their own recipe for success. And even then, it’s not written in stone.

I know some writers who insist early in the morning is the best time for them; they’ve had a good night’s sleep and are fresh to face that blank piece of paper/screen.

Others do best later in the day, when all their chores and responsibilities are out of the way, and the family is off doing their daily routine (school, work, etc.).

Then there are the night owls. They insist  they do their best work late at night when there are no distractions and they can concentrate on their work in progress.

 

Writer.

Personally, I’m all over the place. There are so many factors that can affect when I write. If I’m in my creative stage, late at night is my time. I collect all the thoughts that have been spinning around in my head during the day and put them into a solid idea and expand on it.

If I’m at my editing stage, or trying to work through a weak spot or solve a problem I’ve created, then morning is best. My mind is clear and I can focus. But it needs to be earlier while I have the house to myself.

Research and planning are best for the middle of the afternoon. I can sit at my desk and distractions don’t seem to bother me. It’s easy to break away from the work in front of me to watch the birds outside my window or talk to my hubby when he comes out to ask me a question.

 Of course these are not set rules. As every writer knows, when the idea for your storyline is new, there is an excitement that goes along with it. There is a hunger to get the ideas down as fast as possible so  you don’t lose them. You may find yourself shutting yourself in your office, blocking out everything else, for hours at a time. Eventually the newness of the idea becomes a solid outline, and then a rough draft. This is when you begin your writing routine.

Does part of this routine include a designated location where you work from?

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Mine is where-ever. That’s it; where-ever. I do a lot of dictations and as long as I have my phone with me, I’m good to go. Some of my most productive time is at lunch when I’m in my car, sitting along the river. No distractions, no interruption-just writing time (in between bites of my lunch). Having a laptop allows me to take my WIP where I want; be it under the oak tree in the front yard, by the pool or sitting by the hubby on the couch (ear plugs needed for this one since the TV is on). Serious editing needs to be done at my desk. I seem to do better in a more professional setting for the editing stage.

Every writer has to find what works for them. It may take a few books before you find your rhythm. But I think  mixing it up every once in a while, also stirs the creative juices and keeps you from becoming stagnate.

So move around, find your sweet spot, find your creative and productive times, and get to work on your next project.

Secrets in your History

What does your search history say about you as an author?

 Almost every author has some degree of research that they had to do. The research is what gives body and life to your story.

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It makes it more interesting and unusual facts with detailed descriptions can captive your reader. You can only get these facts from either physically being at the site of your book, or researching it. And since most of us are tied to one location, research is our best alternative.

I think it’s safe to say most authors tend to write it at odd hours. Often our work or family puts the writing on the back burner which can make the stolen moments we do find to work on our manuscript occur at the oddest hours. This means we may find ourselves working when going to the library  isn’t feasible.

 Thank God for the internet!

We can stay up until two or three in the morning, researching to our hearts content. We can easily wander off into different tangents, from one fact to another, as we researched deeper and deeper into a subject.

But all that research leaves a trail.   There’s been discussion among authors I know about this very subject.  If anybody ever looked into an author’s (especially a mystery writer) line of research, and the sites  we visit, and the questions we ask… well, many of us would be considered dangerous  element.

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Search for idea

How would somebody who isn’t aware you’re an author react to your research history? Would you cringe when they search your computer’s history? Are you taking in them down a dark tunnel your normal personality would never go? If you’re a mild-mannered person who is looking up all sorts of deadly and evil ways to kill off your characters, will your friends look at you differently? Could you be looking into government espionage and ways to corrupt a government official could bring some unwanted attention from ‘big brother’? Maybe you’re looking into buried Treasures in history of your area and ways to claim it for yourself.

Do you see what I mean? Your research history can land you in a lot of trouble if the wrong person looks at it. But that’s what being an author is all about! We take all our research and off we go. It’s our job to weave a spell and create a story good enough to captivate our readers and have them turning the page.

 

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Open book and idea text

 So before you judge the history of any author’s computer research, you really ought to read their books. You never know how we might twist facts to work with our plots.