The first time I heard that phrase I thought it was awful. What kind of a sadistic person would deliberately kill a character you created that wasn’t an evil villain?
Your characters are like your friends. You know them inside and out. You’ve created them with distinct personality traits and flaws. Hopefully, you’ve got your readers to connect with those characters.But now some writing Guru has told you to kill them.
I have to be honest, it took me a while to fully understand why you would do this. But now that I know, I’m not afraid to do it.
Having a murder in your mystery is pretty much a no-brainer. The reader usually doesn’t have a chance to get to know the victim, so you don’t feel any guilt having killed the character. But there’s more at stake when the characters have had a chance to become known to your reader.
Why would you put your characters in mortal danger? There are a number of reasons, but probably the most common is to build tension, or change the direction of the story. In a cozy mystery, it’s rare that a killing is random, there must be a meaning behind it. Keep this in mind and don’t go killing characters just for the sake of excitement. And a word of warning: you can kill the granny next door, but don’t kill her pet! For some reason, readers (myself included) get upset at the death of a animal. The animal can accidentally cause a death, but Fido or FeeFee must walk away unscathed.
In the book I’m working on now, I was stumped. I had all the clues in place, the red herrings were planted everything was going smoothly. Yet, I was bored. And if I was bored, I knew my reader would be too. But there was this one annoying character…
Yes, I’ll admit, I killed her. This added urgency to the story. And it also explains some plot points.
Do I feel guilty about killing off my darling? Maybe a little. I think I had honestly hoped to redeem her and make her a little bit more likable at the end of the book. But not everybody can be redeemed, and not everybody can be liked.
No, I’m not saying go and start killing off your characters merely to build tension in your story. There are other ways that you can create the same tension without being murderous.
Something unexpected or harmful can happen to a character. Thrown for a loop, your characters will act differently than the reader is expecting. Use those unexpected events to build more tension or even to set up an explaination that must be answered by the end of the book.
There, now I put some evil thoughts into your head as a writer.
Take a good hard look at your characters and decide whether you kill them off or just throw an unexpected twist their way.
I love to listen to U-tube as I drive. There is some great information out there that not only educates you, but can also amuse and stimulate your thoughts. Most of what I listen to is about the writing craft; from the words on the page to selling those words. Yesterday I ran across not one, but two hilarious videos about what not to say/ask a writer. I was laughing so hard, the other drivers around me had to think I was nuts.
I agreed with 90% of what the authors said, but 100% on the question “how’s your hobby doing”. It got me thinking…
Anyone who has sat down and wrote a book will agree that this is not a hobby. It’s darn hard work. Time consuming, energy draining, mind shattering work! So, I thought I’d share with the potential writer (or the helpful person who just doesn’t get it) my process. There are things I’m sure I’ve missed, and this is a broad over-view. Each item on this list has multiply levels and tons of details that need to be taken care of. Every author has their own process, the things that are important to producing their books.
For the new writers-I hope this helps guides you through the process. For the friends and family looking in from the sidelines, I hope this opens your eyes to the reason we spend so much time on each book. And I thank those of you on the sidelines for all your support-we need it to keep going.
Are they close, like a best friend, or are they a vague notion on a piece of paper?
The characters will determine the intimacy of how much you get to know them. Minor characters are like ships passing in the night, and there may not be a reason to go in depth about what makes them tick. But, for your protagonist and the sidekick it’s essential. Even for the antagonist is essential – almost as much as the protagonist.
Although you can’t put everything about your characters down on paper, you should know them. Be familiar with them as you are with your family-even better. After all, they are your creation and you need to understand how and why your character reacts to something you are plotting.
Now granted, just like human beings, your characters will change in time as you go from book 1 to book 10. They must, or they will become flat and boring. A perfect example of this is Harry Potter. If the young wizard had stayed the same frighten boy living under the stairs, you would have never read the rest of the series to learn of all the wonderful adventures (and dangers) that he faced while fighting the evil Lord Voldemort.
Expect that your characters will grow, just as you grow as a writer. Knowing your characters inside and out isn’t just knowing they have blond hair and blue eyes, or they have a southern accent.
Knowing your character involves understanding how they react to situations we, the writer, put them into. How will your hero react to criticism or complement? How will your heroine react when faced with danger or romance?
As a writer, I think we have to know ourselves in order to answer these questions about our characters. Be honest; isn’t a part of us in each one of our characters?
There are always different character profiles and different ways to come up with them. Some great computer programs are available to help you keep track of all the details. Or perhaps a good old-fashioned piece of paper in a notebook. There you can jot down the traits of your character, both physical and physiological.
I’ve found character casting is a lot of fun. This is where you find pictures of people you think would be like your character, not only in looks but in actions. I love to use pictures of actors from old shows I loved. I remember what the actor’s charter was like, and that’s the picture I borrow for my casting.
I’ve seen or used all of these methods. I feel the ones which work best ask questions about your characters, causing you think beyond the obvious. These methods don’t simply have you filling in the blanks about how tall is your character or their eye color. Instead, they asked the questions about what is your characters favorite childhood memory, what is your character afraid of.
See the difference between the two types of questions? Even if you don’t write everything down, I think a good writer needs this information back of her head. Putting it down on paper just keeps a clear.
So, let me be noisy and ask you this; is your relationship with your character like a first date, where you’re just trying to find out things about them to decide if there will be a second date? Or does it feel as if you’re in a 50-year-old marriage and you can finish each other’s sentences?
If you’re still in the dating stage, I suggest you ask more questions. You need to know your characters; you might need to reign them in one day when they take your story in a different direction. If you don’t know how they will react, your story will get away from you. When it gets out of your control, then how will you be able to keep the reader interested? How do you get to know your character? Share your methods with us.
Well, I’ve reached my word count for the April 2018 Camp NaNo challenge. As a matter fact, I went over my word count. And that’s a great feeling of satisfaction. But, along with that satisfaction comes the knowledge I haven’t completely finished the book. There’s still more work to do; I have to come up with my ending. For me, the ending is the hardest part. I know what I want my characters to do; I know how the mystery has to end. Often, I might have more than one ending in mind, and I only need to choose which one best fits the directions my characters took me in. And even though I have this knowledge, I still find the endings are hard. Maybe it’s because I don’t want to say goodbye to my characters. They’ve become such a part of me, as I’ve written these stories. The thought of shutting the doors on their adventures is a little sad.
But wait — that’s why I write in a series! I don’t have to say goodbye to my characters; they can keep having adventures– as long as I can come up with ideas. As a matter-of-fact, some of my ideas are calling for spin-off series with minor characters from the main story. Now they are branching off on their, own seeking their adventures. Isn’t that great? I’m giving myself endless possibilities for new stories. Believe me, I will never in my lifetime be able to write all the outlines I’ve come up with. Mainly because I keep coming up with new ones. But I will have fun trying.
There’s always the next story sitting on my desk waiting for me. Sometimes I sneak into it to add a line or two of outline, or I might even write the first chapter. Sometimes an idea just grabs hold of you and have to get it on paper. I may rewrite it later, but the ideas needs to get out of my head, and onto paper. This will free my mind to continue with the work in progress.
Meanwhile, on my desk is my current WIP, waiting for my attention. Speaking of which, now I need to make a decision. Do I kill somebody in the story ending? Or perhaps a more gentle ending is called for, maybe a romance can work better? See what I mean?
This is why endings are so hard for me. Because there are so many directions to take them. So, I guess I’m like my reader, I’ll have to wait until I decide which way to finish the story.
17692947 – beagle dog wearing glasses reading book
Or rather, my characters will tell me which way they want to go to find out their ending.
Don’t mistake that faraway look in my eyes as boredom.
No, I’m not ignoring you either, and I’m far from falling asleep.
What I’m doing is plotting. There are ideas all around us and sometimes you must stop and think about how one little item that caught your interest can work into a story. How one little phrase you overheard can be worked into a conversation. Or maybe it’s a news item you saw the night before, that’s been sitting in the back of your mind, wondering how it can create an alternative universe or whole new world and a completely different series.
I would say half of my writing time is spent daydreaming. But not daydreaming in a useless way. These daydreams are a productive thought gathering, plotting exercise. Let’s face it our minds are our biggest tools, probably the only tool we need, other than a writing devise. When we let allow our thought to wander where-ever they want, we can produce some great concepts.
If we don’t use this tool regularly, it will become dull and foggy. We need to sharpen our minds and use it to the fullest potential possible. This might mean thinking of things outside of the realm of your normal everyday expectations. If you don’t use those tools and you allow them to become dull and unproductive, you’re heading down the road to writer’s block, I’m sure of it.
Fortunately, I have a very active imagination and I love to tell stories; never seeming to run out of ideas. Instead the opposite happens. Too many ideas bounce around in my head, often causing difficulty in concentrating on one story line at a time. Thankfully, I’ve never experienced writer’s block.
I keep my mind sharp and I keep thinking and imagining: creating scenarios out of nothing, forming conversations between characters and asking a lot of “what ifs. A good exercise is to have somebody just toss you a word. See what you can do with it; whether it’s a phrase, an object or an action— weave it into your story. Give your story on a new twist, make your characters do something unexpected. Remember if it holds your interest, it will also hold your readers.
Find a way of recording those ideas, be a pen and paper or your phone or your computer. Jot them down when you get them and please, don’t tell yourself that you’ll remember. It seems the minute you do this, you’ve already set yourself up to forget them. Honestly, with so many thoughts going to our mind daily just with our everyday actions it’s sometimes impossible to remember what we need to get through the day.
Don’t discard an idea or thought path simple because it doesn’t fit your current work in progress. Jot it down and put it in a file for future work. Keeping a file of ideas is another way to fight writer’s block or adding a twist to your story that will keep it original and interesting. So, what did you see or hear today that created a “what if idea”?
We all love to receive a gift, especially a thoughtful gift that was picked up just for us. The more thought put into the gift the more it affects us and the more we treasure it. Unusual gifts tend to target the heartstrings little bit more.
For example, I’ve a customer who ever year his wife goes out-of-town to visit relatives. As soon as she leaves, he has me design a different section of her garden. One year was a butterfly garden, another year the front flower garden, another year a herb garden. each year she comes back delighted and surprised with his gift that will last for years.
This got me thinking about our characters in our books.
Do you give your characters a special or unusual gift during your story? Does this gift play an important part of the story’s progression? Did your character receive their gift either by some magical way or possibly by a loved one or maybe even a mysterious gift left by the doorstop?
I hadn’t thought about it, but my characters have all received gifts. For example, in book number five of the Citrus Beach Series (A Tank Full of Trouble) Aiden surprised Megan as he keeps sending making mysterious while he was out-of-town. Each gift leads up to a grand conclusion.
In my upcoming series Storm Voices, my main character, McKenzie, is given a beautiful little gray kitten help her as she recovers from… well you’ll just have to read it and find out. These are gifts that are beyond the normal birthday, Christmas, or anniversary gift, they’re something special that our characters are not expecting and play a major role in the plot line of story.
What books have you read where the characters have been given special gift? Was it a gift of love, magic or surprise? As a writer, you have the ability to give your character something unusual that can be used in ongoing story lines.
And authors, remember as much as we enjoyed getting gifts ourselves, our characters enjoy it to.
Use this to push your story forward and draw the reader into the life of your characters.
Don’t prepare and you might be preparing to fail.
No matter what you’re doing, the job is always easier when you prepare for it ahead of time. Whether you’re cooking a new recipe, planting a garden, building a bookshelf, or writing a book —preparation is the key to success.
There are those that say they are Pantsers and there are those say they are Plotters…
But, I think, all in all, each of us does a bit of preparation before we sit down to write that first word. We have a general idea of what our book it’s going to be about. Who are main characters will be and the central setting we will create. A Pantser might stop right there and start writing. On the other hand, a plotter (like me) will sit down and do an outline. We want to get as much preparation done before we start making, making the writing process flow.
Oh, don’t get me wrong, there will be changes. Something comes up that makes your story go in a different direction, but if the outline is done and your notes are organized, then it’s easy enough to adjust and move on.
And so tomorrow begins the month of July. This is one of three months that I participate in NaNoWriMo. To me the preparation for this month (as well as April and November) are critical to my success. Writing 50,000 words in 30 days is more than a challenge it’s a conquest!
Today is June 30th, and I wait with bated breath for midnight. Why? Because I’m ready to go. My outline is complete, I’ve got my first scene is written in my head and I’m just counting the hours to start. Yet, I can also look back and remember when there were times that I wasn’t so prepared. Because of this, I wasted precious time and word counts trying to figure out where I was going.
To all of you who have no preparations set out–there is less than 24 hours to be prepared. Turn off that TV and get ready!
And to all of you who are prepared and are waiting for that stroke of midnight-—good luck. I hope Camp NaNo is a rousing success and at the end of the 30 days you are pleased. Then you will hold a rough draft of your book in your hands, ready to edit and publish.
When developing a character, I like to think of everything. it’s almost as if I place my character on it examination table. I go over him from limb-to-limb, cell-to-cell, wondering what makes him tick.
I recently wanted to create a new character and take away one of his senses, but which one which would he lose? Then I thought, well which one would I lose willingly – or, at least, miss the least.
Would have been my sense of sight? Would I miss watching a morning sunrise or looking into the face of a loved one? Would I miss looking into a garden seeing all the flowers in full bloom or watching a child take his first step? How could I enjoy a quiet snowfall or a thundering storm? No, this isn’t the sense I could lose.
Maybe I wouldn’t mind losing the sense of smell? Goodness knows there’s enough things to smell throughout my day; the sweet scents coming from my garden flowers or the spicy fragrance from the herbs. Or, that home cooked meal, made from scratch, that you know will stay with you for the whole evening. Or the aroma of the first cup of coffee in the morning, helping wake you up to face your day. No, the sense of smell helps me get through the day, so I don’t want to lose that one either.
What about thesense of hearing? I have two ears – would it be so awful to lose the sense of sound, or diminish the ability, from just one ear? Then I remember the beautiful music that gets me through the day, and the sound of laughter from my friends as we share a quiet joke. Or the voice of the newscaster as he tells us what went on during the day and, most importantly, the sounds of my loved ones. No, even though I have two ears, this is one sense I do not want to lose either.
And what about thesense of taste? It goes along with your sense of smell, but the sense of taste can also protect by keeping you from eating something that is bad. Yet, the special flavor of certain ingredients can help you devour a whole chocolate bar and smile afterwards. Certain distinguishing flavors can bring back memories of food you’ve had before, like a seasonal fruit. There’s nothing like biting into that first strawberry of the season, or the Christmas cookies only gets baked once a year. While I might lose some weight if I lost my sense of taste, I wouldn’t want to give it up for one pound.
Then there’s the sense of touch. This is sense can offer us protection by warning you if you are near something too hot or cold. It allows us the luxury of feeling a soft cashmere sweater on your skin, the sweet kiss from your lover. Or the sensation of the smoothness of our baby’s skin and the silkiness of your dog’s soft fur. I wouldn’t want to miss out on the joys the sense of touch can bring either.
I ponder long and hard, finally deciding I don’t want to lose any of my five senses. And it would be cruel-hearted to make my character loose one of theirs. How could I relate to what they’re going through when I can’t experience it myself? Besides, it would make for one miserable character.
So, cherish each of your senses and remember them as you write.
Let your characters feel all they are capable of. Weave each of the 5 senses into your words, so your reader knows what the character is feeling and experiencing.
It’s hard to believe, but this week celebrates 3-year anniversary of the release of my first book! I thought I’d write a quick little blog about what I’ve learned from the beginning. Well, the first thing I need to tell you be; I’m no expert and I have tons more to learn, I’ve barely skim the surface.
When I first started my first book it was a challenge, I never expected to do another one, or another one (etcetera), but as anyone who writes knows, once you start you can’t stop. Writing becomes part of who you are.
I think the most surprising lesson I learned is writing a book is just the beginning. It’s a business and if you want to succeed, you need to address the business end of the craft. Like any business, there are tools you need to use to be successful, so I thought I’d let you know a few of the tools I use day-to-day. As I’ve grown in my writing, I found I can’t go without them.
Foremost is Scrivener. It is a writing program which helps you organize and keep your thoughts clear. Plotter or Pantser– scrivener will work for you.
I also use MS Wordbecause most documents need to be put into word and it’s easy. there’s no fussing. Word will allow you to add in editing programs, and these aids are essential for my writing process. I work with 2 programs; ProWriting Aid or Grammerly. Either one of them will work. You need these programs to help you catch the many mistakes your eyes will miss, know no matter how good you are.
I also use a dictation program called Dragon Naturally Speaking. I can’t tell you how my writing has changed using this program. The idea is to get the thoughts down on paper, and this works great. There is a learning curve to using it, but worth the time and effort you put into it.
Two other items I use every day, without fail, and would be lost without them are Dropbox and Evernote.
Dropbox holds all my documents off-line. After losing major files because of a glitch in either my equipment or my backup practices, I found this is the smartest thing I could have ever done. I wish I’d done it years ago, not only for my writing for my business. I use Evernote to help me to make quick notes from the thoughts racing through my mind as I go through my day-to-day routine. I can dictate into the program which is great for me. I can organize the notes into notebooks so I can make notes on different books and projects I’m working developing. Evernote is a good tool to use with Scrivener, too.
I’ve also found, whether I like it or not, social media plays big part in the writing. Facebook(www.facebook.com/CitrusBeachMysteryseries ), Twitter (Victoria LK Williams@CitrusBeachMyst), LinkedIn (http://www.linkedin.com/in/victoria-lk-williams), Instagram (vickilkw), and Pinterest (http://www.pinterest.com/vlkwcbm) are the ones I actively use, some more than others. A word of caution about the social media sites; learn to turn them off and concentrate on your writing. It is best to set a time that you allow yourself for social media so you don’t waste writing time. Because, believe me, you can.
One important aspect not to overlook is an Author Website.(VictoriaLKWilliams.com) Give your readers another option to find you, to find out about your books; where to buy them and about your upcoming works. Personalize your website so it sounds like you; don’t make it so professional that the readers are not intrigued. This is your opportunity to introduce your personality and maybe some hints about how you write and why you write it’s also a great place to post about upcoming books and their progress.
If, after all that work, you still have some creative juices left, try Blogging. It’s one more way for your readers to find out about you on a more personal level and for those search engines to find you. I have two blogs: this one and Gossip From the Southern Garden (gossipfromthesoutherngarden.cordpress.com)
It’s been said loneliness comes along with writing, but it doesn’t have to be. Don’t seclude yourself, talk to other writers, if not in person than online. There’s many forums out there where writers share ideas, tips, and encourage each other. Even if you don’t participate at first, there’s a lot to read about. Find yourself a Writing Buddy— either online or in person. Everybody needs a shoulder to cry on, or a hand to hold. When you’re celebrating, your writing buddy can be there for you.They’ll understand you in ways no one else can, because they’re going through the same thing you are.
The other word of advice I can give is have patience. Don’t be in such a hurry to push the publish button. Invest in a good cover and an editor. Even if you need to hang on to your book for a couple of months until you can raise the funds to do so.There’s good editors out there and bad ones; make sure you send them a sample chapter. Ask them to look it over and tell you if it’s something they are interested in pursuing. You’ll get a chance to see their work, too. I would recommend you go with an editor who likes the type of books you write. If you’re writing a series of books, make sure your cover tie together so readers can find them easier.
Keep track of your promotions. a book that isn’t out there for people to find will not get read. Even the best authors fall off to the charts with some of their older books.
And my last bit of advice it to take care of yourself, your family and friendships. Get up and walk around, eat healthy, drink lots of liquids and, if you can, take breaks to get some exercise. Don’t neglect your family or friends. Nourish those relationships, they’re the most important thing in your life. Besides, you might find inspiration from these same people.
So here is my little tidbits of knowledge I’ve learned over the last three years. It’s by no means is a complete, because I’m learning more every day. I make mistakes every day too.
The trick is to learn from your mistakes and keep writing!
Please note any programs or sites I mentioned, I’m not endorsing them for any type of payment; I’m simply stating what works for me.
The more I read and talk to other writers, the more I realize the answer to these two questions can be as diverse as the writer.
There are no set rules, no hidden formula to a productive writing time. Each author has their own recipe for success. And even then, it’s not written in stone.
I know some writers who insist early in the morning is the best time for them; they’ve had a good night’s sleep and are fresh to face that blank piece of paper/screen.
Others do best later in the day, when all their chores and responsibilities are out of the way, and the family is off doing their daily routine (school, work, etc.).
Then there are the night owls. They insist they do their best work late at night when there are no distractions and they can concentrate on their work in progress.
Personally, I’m all over the place. There are so many factors that can affect when I write. If I’m in my creative stage, late at night is my time. I collect all the thoughts that have been spinning around in my head during the day and put them into a solid idea and expand on it.
If I’m at my editing stage, or trying to work through a weak spot or solve a problem I’ve created, then morning is best. My mind is clear and I can focus. But it needs to be earlier while I have the house to myself.
Research and planning are best for the middle of the afternoon. I can sit at my desk and distractions don’t seem to bother me. It’s easy to break away from the work in front of me to watch the birds outside my window or talk to my hubby when he comes out to ask me a question.
Of course these are not set rules. As every writer knows, when the idea for your storyline is new, there is an excitement that goes along with it. There is a hunger to get the ideas down as fast as possible so you don’t lose them. You may find yourself shutting yourself in your office, blocking out everything else, for hours at a time. Eventually the newness of the idea becomes a solid outline, and then a rough draft. This is when you begin your writing routine.
Does part of this routine include a designated location where you work from?
Mine is where-ever. That’s it; where-ever. I do a lot of dictations and as long as I have my phone with me, I’m good to go. Some of my most productive time is at lunch when I’m in my car, sitting along the river. No distractions, no interruption-just writing time (in between bites of my lunch). Having a laptop allows me to take my WIP where I want; be it under the oak tree in the front yard, by the pool or sitting by the hubby on the couch (ear plugs needed for this one since the TV is on). Serious editing needs to be done at my desk. I seem to do better in a more professional setting for the editing stage.
Every writer has to find what works for them. It may take a few books before you find your rhythm. But I think mixing it up every once in a while, also stirs the creative juices and keeps you from becoming stagnate.
So move around, find your sweet spot, find your creative and productive times, and get to work on your next project.